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The older films have a well-deserved reputation for misogyny and weren’t afraid to dabble in casual racism as well. This and the subsequent Craig films track the arc of Bond’s career much more closely than the previous 20 Bond flicks (Yes, 20! 24 as of this writing, in fact), which tended to treat the events of the films as more or less standalone events outside of a couple of occasional nods to continuity.Īlso, before we go any further, let’s briefly consider the character of Bond himself-not a good guy, let’s be frank. This seriousness regarding character is a theme that has continued through the Bond films starring Daniel Craig, the first of which is this 2006 debut performance. The answer, of course, is “severe emotional trauma,” but we’ll get to that a little later. For the first time in a series that has ranged in quality from iconic to self-parodic, the series bothered to ask itself what could make someone into a person like James Bond. It’s not my personal favorite of the series, and it’s maybe not the most emblematic of what the series is known for, but it’s the one that takes Bond most seriously as a character, the only one where the plot is secondary to the character of Bond himself (though it also just happens to be a great movie). If you’re only ever going to watch one James Bond movie, it should probably be Casino Royale.

Bond fan Jacob Farley still greatly enjoys the deconstructive 007 revival Casino Royale, calling attention to how it humanizes a character that had become self-parody, the film’s series-best first act chase sequence, and the top-notch work by Daniel Craig and Eva Green.

Casino royale building were vesper lynd died